{"id":1680,"date":"2026-03-16T15:18:55","date_gmt":"2026-03-16T15:18:55","guid":{"rendered":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/?page_id=1680"},"modified":"2026-03-16T15:18:55","modified_gmt":"2026-03-16T15:18:55","slug":"pons-aelius-17-may-2025","status":"publish","type":"page","link":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/e-journal\/pons-aelius-17-may-2025\/","title":{"rendered":"Pons Aelius 17 (May 2025)"},"content":{"rendered":"\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/files\/2026\/03\/PONS-AELIUS-17.pdf\" type=\"application\/pdf\" style=\"width:100%;height:1060px\" aria-label=\"Embed of PONS-AELIUS-17.\"><\/object><a id=\"wp-block-file--media-b27d2283-d1b2-42e3-a9eb-b7a85a4930ec\" href=\"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/files\/2026\/03\/PONS-AELIUS-17.pdf\">PONS-AELIUS-17<\/a><a href=\"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/files\/2026\/03\/PONS-AELIUS-17.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-b27d2283-d1b2-42e3-a9eb-b7a85a4930ec\">Download<\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><strong>In This Issue<\/strong><\/h2>\n\n\n\n<p><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Steve Kendall<\/strong>, Talking to a Whalebone Box about Poetry: The Franks Casket and the Creative Process.<\/summary>\n<p><a href=\"mailto:s.kendall1@newcastle.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>s.kendall1@newcastle.ac.uk<\/strong><\/a><strong>&nbsp;<\/strong>&nbsp;<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Zenia Duell<\/strong>, Classics in Prison.<\/summary>\n<p><a href=\"mailto:zenia.duell@kcl.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>zenia.duell@kcl.ac.uk<\/strong><\/a><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Nina B\u00fcchner<\/strong>, Pandora and Eve: Women as the Origin of Evil in Creation Mythology.<\/summary>\n<p><strong><a href=\"mailto:ninabuechner0@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ninabuechner0@gmail.com<\/strong><\/a><\/strong><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Sophie Norman<\/strong>, Vocalising Female Rebellion in Early Modern Finnmark\u2019s Witch Trials.<\/summary>\n<p><a href=\"mailto:sophiekhnorman@outlook.com\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>sophiekhnorman@outlook.com<\/strong><\/a><strong>&nbsp;<\/strong><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>T.N. Gibson<\/strong>, \u201cAll in the name of progress\u2026 and for a few lousy bob\u201d: Brassed Off, Rebellion and Deindustrialisation.<\/summary>\n<p><strong>t.gibson6@newcastle.ac.uk<\/strong><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Ally Keane<\/strong>, \u2018It became a symbol of my incapacity and I hated it\u2019: Resistance to High-Technology Augmentative and Alternative Communication, c. 1980-2020.<\/summary>\n<p><strong>a.j.keane@newcastle.ac.uk<\/strong><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Bernardo Carvalho De Mello<\/strong>, Global South Narratives of Rebellion in International Human Rights Law.<\/summary>\n<p><a href=\"mailto:b.carvalho-de-mello2@newcastle.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>b.carvalho-de-mello2@newcastle.ac.uk<\/strong><\/a><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>Barnaby Falck<\/strong>, The Bunny Game \u2013 A modern counter-cultural rebellious masterpiece of female empowerment and subversion of film-making norms.<\/summary>\n<p><strong><a href=\"mailto:bfalck@lincoln.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\">bfalck@lincoln.ac.uk<\/a>&nbsp;<\/strong><\/p>\n<\/details>\n\n\n\n<p><strong><a href=\"mailto:bfalck@lincoln.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/strong><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In This Issue<\/p>\n","protected":false},"author":12013,"featured_media":0,"parent":21,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1680","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/pages\/1680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/users\/12013"}],"replies":[{"embeddable":true,"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/comments?post=1680"}],"version-history":[{"count":1,"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/pages\/1680\/revisions"}],"predecessor-version":[{"id":1681,"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/pages\/1680\/revisions\/1681"}],"up":[{"embeddable":true,"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/pages\/21"}],"wp:attachment":[{"href":"https:\/\/www.societies.ncl.ac.uk\/pgfnewcastle\/wp-json\/wp\/v2\/media?parent=1680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}